HomeMusicFour Tet’s Domino Albums Disappear From Streaming Amid Royalty Battle

Four Tet’s Domino Albums Disappear From Streaming Amid Royalty Battle


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Four Tet posted a series of tweets on Sunday (November 21) alleging that his former label, Domino, which he is suing over a knotty royalty dispute, is scrubbing his music from streaming platforms. “I’m so upset to see that @Dominorecordco have removed the 3 albums of mine they own,” he wrote. “People are reaching out asking why they can’t stream the music and I’m sad to have to say that it’s out of my control.” Caribou’s Dan Snaith, a former Domino artist, weighed in the next day, describing the apparent takedown as “a desperate and vindictive act.” 

In a statement to Pitchfork, Domino said it was “equally as disheartened to have to take these steps,” but remains “hopeful that an amicable solution can be reached.” Read the label’s full response below.

Although Four Tet (aka Kieran Hebden) did not specify which of his albums have been removed, the Domino-issued Pause, Rounds, and Everything Ecstatic have not been listed on Spotify or Apple Music since work on this story began on November 21. The Domino-issued EP Ringer and LP There Is Love in You were still available, though Hebden reissued the latter last year on his Text imprint. Four Tet’s lawyer did not respond to requests for comment.

Referring to the royalty lawsuit, Four Tet had tweeted that Domino’s lawyers had “said they would remove my music from all digital services in order to stop the case progressing. I did not agree to them taking this action and I’m truly shocked that it has come to this.”

The case relates to Four Tet’s 2001 contract with the label, signed before streaming services existed. He is reportedly seeking damages of up to £70,000 ($93,600), plus a corrected royalty payout, as Music Week reported in August.

Four Tet’s legal team argues that he is entitled to a 50 percent royalty rate for streams through international platforms such as Spotify and Apple Music. Labels tend to pay the lower rate of roughly 16 percent for streams, although UK lawmakers called for widespread implementation of the 50 percent rate in an inquiry that concluded this year.

Dan Snaith tweeted that Hebden is “motivated by setting a fair precedent for other artists in similar situations, rather than by his own self interest.”

After this story was published, Domino issued the following statement: 

Domino are just as saddened about this current situation. The decision to temporarily remove the three Four Tet albums from digital services was not taken lightly. We were advised to do so as a necessary consequence of Kieran’s litigation at this time.

Kieran began his claim about contractual provisions in his original 2001 agreement with Domino, on 1st December 2020. Since then, we have offered both in correspondence and in open court to mediate, but have been rebuffed by Kieran and his legal team. We have continued trying to re-engage with them to find a solution to this dispute: one that is fair to both sides, but to no avail. Through all of this, we have been and continue to be open to discussion and mediation.

While we are equally as disheartened to have to take these steps, we remain hopeful that an amicable solution can be reached in the future.  Our door is now and will always be open for further discussion with Kieran.

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This story was originally published on Tuesday, November 23 at 9:42 a.m. Eastern. It was last updated the same day at midday Eastern.

Read The Full Article Here


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